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Biography


KIRTOMORFISMOS:


RANDOMLY GENERATED FORMS FROM INFORMED gestural strokes In...

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15.35 x 18.50 in
Engravings
15.35 x 18.50 in
Engravings
15.35 x 18.50 in
Engravings
15.35 x 18.50 in
Painting
59.06 x 47.24 in
Painting
15.75 x 15.75 in
Painting
47.24 x 59.06 in
Painting
45.67 x 36.61 in
Painting
13.78 x 47.24 in
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KIRTOMORFISMOS:


RANDOMLY GENERATED FORMS FROM INFORMED gestural strokes In curved lines.


The internal structure of works is based on intrinsic networks formed by the juxtaposition of graphics and stains, which energize the two-dimensional space. This scheme is random to form a series of maps and virtual spaces suggestive of forms within a closed, interior with artificial light. These planes to be separated visually by the use of tonal contrasts and brightness of lights, produce in the viewer\'s suggestion of spatial depth.


"Arial", "sans-serif", "lang =" EN-VE "> poetry emerges from the dialogue with the material captured systematizing the color sounds which arouse the consciousness gained in the interaction with the social and natural environment that is if you want the random method between verbal and visual or plastic. Always intervenes on the nature, structuring the signs, symbols, and phrases according to their specific possibilities wider. Giving priority to direct experience with the word and its synergy with the tonal range generated in the act creatively.


CRITICAL TEXT


Redesigning the man, a man who is not one Leonardino but that virtual post-Freudian era, in which awareness intrapsychic life has increased every concrete, digging an inviolable boundary between private and social, between being and appearing. the big bug wall on Kafka\'s dream has yet inseminated children. While ours is a generation of monsters. Virtual means.


In this relentless pursuit of man\'s work fits perfectly Daniel Paz, and in Kirtomorfismos effect are nothing more than a way out of the indefinite to the other, to decipher the human presence in a perfect world in transformation. Out of nowhere, the whirlwind of thoughts, is from there that reveal a figure, a human cocoon in a covered nearly reversed in comparison with those of many of our vanguards of the beginning of nine, which nevertheless fails to become, to be realized, fulfilled, thus remaining in an almost amorphous, in which physical characteristics are evidenced only game in acrylic.


So in absence of any straight line that the artist recognized as artificial production of man unnatural and deviant presence, graphic appears woven fabric at an intersection of curves, elliptical winding hierarchies, in which Peace seeks to order the presence of man who takes life hand in hand, the reds, ochres and cobalt are juxtaposed on the canvas.


A gentleman living electric light, immaterial, he does not know and will not be fixed in a form and a mask, but longs to be confused with things, with the wind and thus exorcise death. A death in the working out every color and every move.


"Arial", "sans-serif", "lang =" EN-VE "> MAURIZIO Abbati


Art Critic.


Firenze 1996


STUDIES


1984-1990: MENTION ARTS DEGREE IN EDUCATION. Universidad Catolica Cecilio Acosta Maracaibo.


4.-Post-Graduate Studies:


1994-1996: Specialization in Conservation and Restoration works ART. International University of Art. Florence. Italy.


WORK EXPERIENCE AND POSITIONS:


1976 to 1980. Founder, Coordinator of the Unit for painting, Cultural group Friends of Culture. San Rafael de El Moján, municipality Mara, Edo. Zulia.


1989: Construction of wall sculpture called allegory A SIMON BOLIVAR, for the home of the Cultural Department of the University of Zulia.


1991: Construction of relief called JACOB\'S DREAM for the Iglesia San Tarcisio, Ring Road No. 2 Maracaibo, Zulia State.


1992: Professor in Drawing courses and Painting I, II and III of Program National Teacher Training (PRONAFORDO), University Católica Cecilio Acosta. Maracaibo.


1991-1996: Development of 40 figures, natural size for the constitution of the Church of the Nativity San Tarcisio. Maracaibo, Zulia State.


1993: Plate Making (ZEFER) for the altar of Center Bible "Santo Tomás Moro, 2 x 1 meter format. Maracaibo, Zulia State.


1994: Development of the Christ Crucified in size to the Iglesia San Tarcisio. Maracaibo, Zulia State.


1989-1997: Lecturer in the Departments of Fine Arts and Education for Work at the Instituto Niños Cantores del Zulia.


1990-1994: Professor of the Departments of Painting and Engraving 5 I, II and III at the Catholic University Cecilio Acosta. Maracaibo, Zulia State.


1996-1999: Professor of Chairs Painting III and Conservation and Restoration at the Catholic University Cecilio Acosta. Maracaibo, Zulia State.


1996 .- Performing of Work Sculpture "ANGEL" 200 x 60 cm. for the Mayoralty of Maracaibo Municipality, Zulia State.


1997.-Making of Work Sculpture "Lady of the Miraculous 200 x 60 cm. for the Mayoralty of Maracaibo Municipality, Zulia State.


1996 - 2003 .- Professor in the Departments of Conservation and Restoration of Works of Art and Practice Professional I Cecilio Acosta University. Maracaibo, Zulia State.


Restoration of a series of works in the regional heritage, national and international.


2002.-Completion of the project and budget for the intervention to restore the altar of the Temple of Saint Philip Neri, for Aura Architect Balsa.


lang = "ES-VE"> 2004 .- Participated in the creation of the Project for the Restoration of the Church of Santa Maria, South Lake led by the Construction and Corpozulia keus.


2005 - 2007 .- Tutor Mission Cultural Foundation, municipalities Mara, Páez Padilla and Raul Leoni and Parishes Caracciolo Parra Pérez del Municipio Maracaibo.


2007 - 2008 .- restoration work on doors, windows, Romanillos, watermarks and frames of windows of the parish church of the Archangel Raphael Moján, EDO. Zulia.


2009: Conservation and Restoration of 55 works of artist Francisco Hung. For sample Permanence of Stroke, sponsored by PDVSA, La Estancia.


1994 - 1996 Scholarship for study at the International University of Art in Florence Italy, awarded by the Fundación Gran Mariscal de Ayacucho.


EXHIBITIONS CARRIED.


1979: ANNUAL CONTEST AMATEUR ARTISTS, Bar


Zulia State.


1980: COLLECTIVE Casa de la Cultura de San Rafael in the wet.


lang = "ES-VE"> 1984: SECOND EDUCATIONAL EXHIBITION, Gallery "Cardenal Quintero" the Instituto Niños Cantores del Zulia. Maracaibo.


1986: SECOND BIENNIAL OF ARTS VISUAL CITY OF MARACAIBO. Secretariat Culture of the State of Zulia.


1987: FINAL SHOW, Exhibition Hall Children\'s Choir TV. Maracaibo.


style = "margin-bottom: 0.0001pt; text-align: justify; line-height: normal"> 1988: EXPOUNIVERSITAS Zulia region. Círculo Militar de Maracaibo.


1988: I. CONFRONTATION Ministry of Culture of Zulia State.


1989: EXPOUNICA, Bancomer, Economists Association of Zulia State.


line-height: normal "> 1990: SHAPE AND COLOR LINE. Central Bank of Venezuela. Maracaibo.



EXPO-UNIVERSITAS 90, Polyhedron of Caracas.


I HALL OF GRAPHICS IN SMALL SIZE, Museum of Graphic Arts


"Arial", "sans-serif", "lang =" EN-VE "> Balmiro León. Maracaibo.


PLASTIC ENCOUNTER, I NATIONAL SHOW Artist. Art Shop. Maracaibo.


ART AS A LANGUAGE. Hotel Maruma. Maracaibo.


EXPOSURE FOR CHILDREN WITH CANCER. Club Nautico. Maracaibo.


1992: CLASS V CENTENNIAL, GALLERY JULY Arraga. Maracaibo.


1993: CREATIVE INDIVIDUAL FIRST MEETING OF TELEVISION Gallery Cardenal Quintero, Instituto Niños Cantores del Zulia. Maracaibo.


1994: X ANNIVERSARY EXHIBITION OF THE CATHOLIC UNIVERSITY CECILIO ACOSTA, Gallery Cardinal Quintero, Instituto Niños Cantores del Zulia. Maracaibo.


PAINTING AND SCULPTURE COLLECTIVE MIND MARA, Art Gallery Brindhavan. Maracaibo.


1996: 7 ° PRIZE S. BARTOLO A CINTOIA. GADARTE. House Popolo. Florence - Italy.


"Arial", "sans-serif", "lang =" EN-VE "> INDIVIDUAL KIRTOMORFISMI. Showroom Café Deco, Florence Italy.


COLLECTIVE ART EXHIBITION ON THE OCCASION OF THE AWARDED HONORARY DOCTORATE TO DR. FAJARDO JOSE DEL REY. Gallery Cardenal Quintero, Teatro Niños Cantores del Zulia Maracaibo.


INDIVIDUAL from other angles. La Salita, Galería.Maracaibo Art Shop.


justify; line-height: normal "> 1997: REUNION OF STUDENTS AND ALUMNI OF THE UNIVERSITY CECILIO ACOSTA. Secretariat of Zulia state culture. Maracaibo.



1998: THIS SONG OF THE INFINITE SUN. Museum Show Opening Contemporary Art Zulia. Maracaibo.


"Arial", "sans-serif", "lang =" ES-VE "> SHOW OPENING. GALLERY AND ART STUDIO "Museum." Maracaibo Estado Zulia.


Another view. Gallery Cardenal Quintero, Universidad Cecilio Acosta. Maracaibo.


2000: WWW / expovi.com (Virtual Gallery.)


"Arial", "sans-serif", "lang =" ES-VE "> 2001: THE WONDER USELESS, Electronic Journal, WWW.galeon.com / elasombroinutil.


THE PERMANENT FLOATING MATTER, Homage to Francisco Hung, Gallery Armando Reveron. Universidad Cecilio Acosta. Maracaibo.


ARTISTS EXHIBITION TO BENEFIT THE FOUNDATION JOSE FELIX RIVAS, CEVAZ, Maracaibo.


2002: EXPO AUCTION, Room 5 at the Museum of Contemporary Art of Zulia, Maracaibo.


ARTISTS OF MY PEOPLE, Parish Hall Church of San Rafael The wet, Edo. Zulia.


Art Kingdom. Museo de Arte Contemporáneo del Zulia. Maracaibo Edo. Zulia.


STATEMENT OF ARTISTS FOUNDATION BENEFIT Jose Felix Rivas, Banco Mara, Maracaibo State Zulia.


BLACK AND WHITE, Fine Arts Center Maracaibo Zulia State.


TAROT, The Journal Impulse Barquisimeto, Lara State.


INDIVIDUAL, rales, Gallery Gabriel Bracho, Casa del Professor Universitario, Association of Teachers Universidad del Zulia APUZ.


EXPOART, 20 anniversary of the University Cecilio Acosta, Foundation Gallery


Banco de Maracaibo. Club Nautico. Maracaibo.


7pt; font-family: "Arial", "sans-serif", "lang =" EN-VE "> ART KINGDOM, Museo de Arte Contemporáneo del Zulia.


PLASTIC ENCOUNTER WITH BRIDGE AND LAKE, Meet Cultural Complex your bridge. Maracaibo Estado Zulia.


VISUAL ARTS HALL OF ZULIA, Ministry of Culture of the Interior


lang = "EN-VE"> Zulia State. Lia Bermudez Art Center, Museum of Contemporary Art


Zulia. Fine Arts Center of Maracaibo.


ARTISTS EXHIBITION TO BENEFIT FOUNDATION Jose Felix Rivas, Banco Mara, Maracaibo, Zulia State.


MAYA, SAMI BARI, Wayúu, Yukpa, Anu CONTEMPORARY ART Art Center Leah Bermudez Maracaibo Estado Zulia.


2004: I ART FAIR SAN JOSE DE LA MATILLA, Center for Fine Arts in Maracaibo. Zulia State.


BOW LIGHT AND COLOR. Tribute to Armando Reveron. Museo Rafael Urdaneta. Maracaibo Estado Zulia.


lang = "ES-VE"> 2004: A LOOK AT THE LAKE. Art Center Maracaibo Lia Bermudez "Maracaibo, Zulia State.


THIRD MEETING OF ARTISTS WITH BRIDGE AND LAKE. Know Your Bridge Cultural Complex, Room Francisco Hung. Maracaibo Estado Zulia.


ARTISTS COLLECTIVE. Foundation for the Arts Peter Port and The Association of Professors of the University of Zulia. Maracaibo Estado Zulia.


2005: Artists, exhibition at the Fine Artist Tribute Gabriel Bracho. Casa Museo Gabriel Bracho, Los Puertos de Altagracia. Zulia State.


PARARÜ, Individual, Showroom Jose "Cheo" Gonzalez. Universidad Bolivariana de Venezuela. Maracaibo Estado Zulia.


2006: Exhibition of Painting, Sculpture and Photography on the Occasion of the National Meeting For Cultural Diversity. Ministry of Culture, the Foundation of Ethnomusicology and Folklore and Cultural Office of the Mayor of the Mara Municipality, Zulia State.


2006: Exhibition Collective Third Edition "BLACK AND WHITE" Fine Arts Center Ateneo de Maracaibo Estado Zulia.


2007: Exhibition of Painting, Sculpture and Photography Collective artists with Reason Marenses the festivities of the patron San Rafael Archangel. Directorate of Culture Mayoralty Mara, Zulia State.


2008: V Art & Antiques Fair Maracaibo. 2008 Art Center FIAAM Lia Bermudez.


2009: Collective 25 years of UNICA. Low Hall Ateneo de Maracaibo. Centro de Bellas Artes Maracaibo. Zulia State.


2009: Visual Artists Venezuela. Route through the workshops of 27 artists Zulia State. IART, Institute of Image Arts and Space. MACZUL, Museo de Arte Contemporáneo del Zulia.


2010: Collective Cycle Bicentennial Showroom PDVSA La Estancia, Edificio Las Laras, Maracaibo.




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